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Adobe animate cc tutorials pdf free download
May 07, · Download 75,+ premium assets from the new Adobe Stock Free Collection. Each Adobe reference below can be downloaded as a complete offline ebook if you want (more about this below). These books are substantial – the latest “ Photoshop Help & Tutorials ” handbook is over 1, pages alone, and collectively the entire set of manuals Reviews: Download Free PDF. Adobe Animate CC Classroom in a Book. Aziz Assefa. Download PDF. Download Full PDF Package. This paper. A short summary of this paper. 19 Full PDFs related to this paper. Read Paper. Adobe Animate CC Classroom in a Book. Learn More. 2D FX Tutorial with Adobe Animate. Learn More. Body Mechanics Tutorial with Adobe Animate. Learn More. Fight Scenes with Adobe Animate. Learn More. Character Rigging with Adobe Animate. Learn More.
Best Adobe Animate CC Tutorials & Online Courses For Self-Learning
Download free Adobe Illustrator Essential skills, course tutorial training, a PDF file by Kennesaw State University. Size: MB; Downloads: Getting. Download Free New Adobe Animate CC Workbook + Sample Assets You can download this guidebook in PDF format via the link given below.
Adobe animate cc tutorials pdf free download
Like its predecessor, Adobe Animate was designed for easy-of-use. These lessons are meant to guide your learning as you mess around with various tools and techniques in Animate. When you follow an individual tutorial I suggest applying the lessons learned directly to your work. Building on your knowledge this way will help you improve faster. For this list I looked for videos that are both informative and easy-to-follow with good teachers and a clear presentation.
Check Out This Tutorial. This massive video from Draw with Jazza will teach you everything you need to get started with Adobe Animate. Split into 8 parts, Jazza walks you through creating your own project from scratch. Over an hour and a half long for this first part, this tutorial is a powerhouse of useful information. This ultimate guide by Jazza is incredibly valuable even by professional standards.
This short series by Software Soldier is aimed at beginners who want to get up to speed as quickly as possible. Software Soldier delivers an effective crash course in part 1, teaching the ropes of creating vector shapes and text. This series walks you through the animation process step-by-step making it very easy to follow along.
The whole series is less than half an hour and well worth the time. I recommend it to anyone looking to learn Adobe Animate as quickly as possible. Creating complex vector art is all about using layers to your advantage. This video is a great example of how simple shapes, pleasing color schemes, and an eye for value can yield satisfying results quickly in Adobe Animate.
In this short tutorial NaughtyEgg Draw introduces the fundamentals of character animation in Adobe Animate. Breaking a character into pieces—like a cut-out doll—is a fast and effective way to great animations. In traditional animation this technique was done using pieces of paper and a camera. The artist would move the paper cut-outs into place and then snap a picture, creating one frame of animation. Thanks to software like Adobe Animate we can achieve this effect much, much faster using vector graphics.
The instructor here will walk you through the whole process using his self-portrait. Kyle Kipfer is another popular YouTube teacher in the art space. In this excellent tutorial he teaches how to animate a flying bird graphic by combining the transform tool and the timeline.
Starting with a reference image he traces the graphics, using good artistic judgement to create various shapes that represent the values dark, mid, and light.
The best part of working with vector graphics is how malleable they are. Using frame-by-frame animation and hand-drawn stick figures, Cordova shows you how to design exciting character animation from scratch. The cityscape instance on the Stage becomes totally transparent. The cityscape instance on the Stage becomes totally opaque.
Animate interpolates the changes in both position and transparency between the two keyframes. Animating filters is no different from animating changes in position or changes in color effect. You simply set the values for a filter at one keyframe and set different values for the filter at another keyframe, and Animate creates a smooth transition.
Click the upper-right side of the Stage to select the transparent instance. Or, click the woman layer in the Timeline to highlight it; then click within the outline that appears on the Stage. Set the Blur X and Blur Y values to 20 pixels. The woman instance is blurred throughout the motion tween. Animate establishes a keyframe for filters at frame The Blur filter changes from the keyframe at frame to the keyframe at Animate creates a smooth transition from a blurry instance to an in-focus instance.
Understanding property keyframes Changes in properties are independent of one another and do not need to be tied to the same keyframes. That is, you can have a keyframe for position, a different keyframe for the color effect, and yet another keyframe for a filter. Managing many different kinds of keyframes can become overwhelming, especially if you want dif- ferent properties to change at different times during the motion tween.
Fortunately, Animate CC provides a few helpful tools for keyframe management. When viewing the tween span, you can choose to view the keyframes of only cer- tain properties. For example, you can choose to view only the Position keyframes to see when your object moves. Or, you can choose to view only the Filter keyframes to see when a filter changes. Right-click a motion tween in the Timeline, choose View Keyframes, and then select the desired property among the list.
You can also choose All or None to see all the properties or none of the properties. When inserting a keyframe, you can also insert a keyframe specific to the property you want to change. Right-click a motion tween in the Timeline, choose Insert Keyframes, and then select the desired property. You can also view an advanced panel, called the Motion Editor, to see and edit how the different properties of your object change over the course of the motion tween.
These kinds of changes are made with the Free Transform tool or with the Transform panel. The car will start small, and then become larger as it appears to move forward toward the viewer. The transformation handles appear around the instance on the Stage. The car becomes totally transparent. The current layer becomes a tween layer. A new keyframe is automatically inserted at frame to indicate the change in transparency.
You have used Animate to tween the change in position and the change in scale as well as the change in transparency from frame 75 to frame Motion presets If your project involves creating identical motion tweens repeatedly, Animate allows you to save and reuse motion tweens as presets.
For example, if you want to build a slideshow where each image fades out in the same manner, you can save that transition as a motion preset. Alternatively, right-click the motion tween and choose Save As Motion Preset. Animate provides a number of motion presets that you can use to quickly build sophisticated animations without much effort. Changing the Path of the Motion The motion tween of the left car that you just animated shows a colored line with dots indicating the path of the motion.
You can edit the path of the motion easily to make the car travel in a curve, or you can move, scale, or rotate the path just like any other object on the Stage. To better demonstrate how you can edit the path of the motion, open the sample file 04MotionPath.
Moving the path of the motion You will move the path of the motion so the relative movement of the rocket ship remains the same but its starting and ending positions change. The path of the motion becomes highlighted. The relative motion and timing of the animation remain the same, but the starting and ending positions are relocated. Transformation handles appear around the path of the motion. You can make the path smaller or larger, or rotate the path so the rocket ship starts from the bottom left of the Stage and ends at the top right.
Editing the path of the motion Making your objects travel on a curved path is a simple matter. You can either edit the path with Bezier precision using anchor point handles, or you can edit the path in a more intuitive manner with the Selection tool. The handle on the anchor point controls the curvature of the path. Make the rocket ship travel in a wide curve. Select the Selection tool and make sure the path is deselected.
Move your pointer close to the path of the motion. A curved icon appears next to your pointer, indicating that you can edit the path. Drag the path of the motion to change its curvature. Choose the spots where you drag carefully! Each drag breaks the path into smaller segments, making it harder to achieve a smooth curve. Mastery will come with practice.
In the motion picture splash page project, the orientation of the car is constant as it moves forward. However, in the rocket ship example, the rocket ship should follow the path with its nose pointed in the direction in which it is heading.
Orient To Path in the Properties panel gives you this option. Animate inserts keyframes for rotation along the motion tween to orient the nose of the rocket ship to the path of the motion. Use the Free Transform tool to rotate its initial position so that it is oriented correctly.
This means that an object and its motion are independent of each other, and you can easily swap out the target of a motion tween. Select the object that you want to swap on the Stage. In the Properties panel, click the Swap button. In the dialog box that appears, choose a new symbol 2 Click OK. Animate will swap the target of Animate replaces the rocket ship with the alien. The motion remains the same, the motion tween. Creating Nested Animations Often, an object that is animated on the Stage will have its own animation.
For example, the wings of a butterfly moving across the Stage may flap as it moves. Or the alien that you swapped with the rocket ship could be waving his arms. These kinds of animations are called nested animations, because they are contained inside the movie clip symbols. Movie clip symbols have their own Timeline that is inde- pendent of the main Timeline. The alien appears in the middle of the Stage. In the Timeline, the parts of the alien are separated in layers.
A keyframe is inserted at the end of the motion tween. The left arm rotates smoothly from the resting position to the outstretched position.
Right-click his right arm and choose Create Motion Tween. Animate inserts a keyframe at the end of the motion tween. The arm rotates smoothly from the resting position to the outstretched position. To prevent the looping, 11 Click the Scene 1 button in the Edit bar at the top of the Stage to exit symbol- you need to add code to tell the movie clip editing mode.
Timeline to stop on its Your animation of the alien raising his arms is complete. Wherever you use the last frame. JavaScript in later lessons. But you can also have nested animations and graphics inside of graphic symbols, although they work a little differently.
It will only play if there are sufficient frames on the main Timeline where the instance is placed. Because of the ease with which you can pick and choose what frame inside a graphic symbol shows, graphic symbols are ideal for lip syncing or other character variations. Using the Frame Picker for phonemes If animated characters talk, their mouth will be synchronized with their words.
Each sound, or phoneme, is produced by a different mouth shape. Animators draw a collection of these mouth positions to be used to synchronize to the soundtrack. You can store each mouth position as a keyframe in a graphic symbol. The file contains your familiar alien character on the Stage.
The alien is not animated on a path, but his head is a graphic symbol with multiple keyframes inside of its Timeline. Notice that the Timeline contains five keyframes in the mouth layer. Each keyframe shows the mouth in a different position.
Frame 1 has a small closed mouth, frame 2 a rounded mouth, frame 3 a wide open mouth, and so on. Animate creates a SWF to play the animation. Nothing happens because there is only a single frame on the main Timeline, and a graphic symbol needs frames on the main Timeline to play its own Timeline. Frames are added to both layers up to frame Animate plays the animation. The graphic symbol plays all of its five keyframes repeatedly during the 45 frames of the main Timeline.
Leave the value of the First field at 1. The Frame Picker panel opens. The Frame Picker shows thumbnail images of all the frames inside the graphic symbol. When the animation plays frame 12, the alien head graphic symbol will change to frame 4.
When the animation reaches frame 14, the head symbol will switch to displaying frame 2. Easing Easing refers to the way in which a motion tween proceeds. You can think of easing as acceleration or deceleration. An object that moves from one side of the Stage to the other side can start off slowly, then build up speed, and then stop suddenly.
Or, the object can start off quickly and then gradually slow to a halt. Your keyframes indicate the beginning and end points of the motion, but the easing determines how your object gets from one keyframe to the next.
A simple way to apply easing to a motion tween is to use the Properties panel. A negative value creates a more gradual change from the starting position known as an ease-in. A positive value creates a gradual slowdown known as an ease-out. Splitting a motion tween Easing affects the entire span of a motion tween.
If you want the easing to affect only frames between keyframes of a longer motion tween, you should split the motion tween. However, the actual movement of the car starts at frame 75 and ends at frame The motion tween is cut into two separate tween spans.
The end of the first tween is identical to the beginning of the second tween. The motion tweens of all three cars have now been split. Popular Popular Latest. Want more inspiration?
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