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Being able to access your nearly all your DAW controls in a single tap is a massive game changer. The control and intuitiveness a dedicated controller adds to your studio is unparalleled.
So to help you out, we put together this detailed guide. It brings all essential controls to your fingertips, freeing you up from the awkwardness of multiple screens. Hardware controls not only give you finer control over your DAW, but also give you greater creative freedom and flexibility. While most control surfaces work well with Logic Pro — it is one of the most popular DAWs in the world after all — there are some that perform better than others.
His first experience with electronic music production dates back to Cubase 3. He lives in San Diego and freelances as a producer and part-time DJ.
Do keep in mind that like the rest of this website, these selections are aimed squarely at serious home producers who want to upgrade their skills and equipment.
PreSonus, which makes some of my favorite amateur-targeted studio monitors, also makes a fantastically flexible control surface, the FaderPort. Affordably priced yet feature-rich, this control surface gives you immediate access to key DAW features at your fingertips. A large volume control knob and a master fader let you control key parameters. And a small size means that it takes up little space on your desk.
Great compatibility and robust build quality make it our best control surface for Logic Pro X for producers on a budget. It is specifically designed to be easy to use — and gets top marks for that.
At the heart of the FaderPort is an innovative and highly satisfying degree encoder. Anything you need to move and select and draw and drag will be handled by this encoder. Complementing the encoder is a single mechanized fader. The fader is also touch sensitive — a feature often found missing in more expensive Logic Pro X control surface.
Moving a mouse around feels hardly as intuitive as dragging a touch sensitive fader — and this one works wonderfully well.
The rest of the controls are designed around a single goal: to complement your keyboard-mouse, not to replace them. I appreciate this approach, especially since most producers are already used to the keyboard-mouse combo.
Far too many control surfaces try to do everything and the kitchen sink, forcing producers to retrain their habits. This unit recognizes that that is neither feasible nor desirable. Build quality is solid throughout. I particularly like the dimensions. I prefer this smaller footprint over some of the larger control surfaces that take up too much desk space.
If you use Studio One, buying this control surface is an absolute no-brainer. The buttons are a little hard to press. There are also reports of compatibility issues with the some versions of macOS Catalina. Recommended for: A powerful, capable, and most importantly, affordable control surface for home studios.
Excellent compatibility with most DAWs, a touch-sensitive motorized fader, and an excellent encoder make it one of the best control surface for Logic Pro X in Right out of the box, the sleek and compact design of the device is lovely to behold.
The top panel comes in black matte while the rear has an orange hue. The slim design makes it easy to move about with this surface control; it fits in a backpack easily and will be great for DJs that move around. On the top right of the device, there is a Send All button. South of this is the Solo button. Below the Mute button are the Record-Arm buttons. As per Akai standard, this control surface is of solid build.
It feels strong and reliable to touch. The entire unit itself is small enough to fit comfortably on a desk. The included software editor is powerful and intuitive enough that you can also customize the integration as per your needs. Although it does not have as many features as some other surface controllers on the list, it offers great value for the price. It lacks Device control, which I found to be a surprising decision from Akai.
The knobs might also feel a little small if you have large hands. Some users report issues with the lights not lighting up — even when the rest of the unit works fine.
They feel sticky and not tactile enough. It is affordably priced and works great out of the box. With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface.
It is not as slim as many of the control surfaces I have tested. The height and thickness make it a tad uncomfortable reaching for the faders and make it hard to see the display properly while sitting. Despite the less than ideal thickness, this control device performs rather superbly, especially for serious producers.
Aside from the physical dimensions, the device has connectivity options galore. While testing, I connected the device to Logic. It offers a really stunning functionality level with all the faders, knobs and buttons.
The device supports the MCU protocol quite extensively. The transport buttons here feel really firm and sturdy and are very functional. For example, they have lights to show their current status.
The jog wheel also enjoys this design feature. That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse. One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips at the top of each channel fader.
The standout feature for me, however, has to be the motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device. It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring. The build quality is a little disappointing considering the price.
The motors on the faders is tacky and feels liable to break. The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal.
For our money, this is the best control surface for Logic Pro X as far as performance is concerned. Even the design language follows that purpose. Everything is limited. Some might see this as a problem, but I see this as a perfect example of a tight, single-purpose device. Throw in the fact that it also has wireless connectivity though latency takes a hit and a small footprint, I rank it as the best control surface for Logic Pro X if portability is a top priority.
At the bottom of the front panel, there are the long-throw faders. The top of the panel features the Mute, Solo, Record, and select buttons. This is a departure from the Kontrol 2 which had the aforementioned buttons cradled between the faders. Aside from these buttons and the faders, the front panel has a single jog wheel and a scene button. I like the increased functionality this offers.
It allows me to change through 5 controller assignment pages with ease whenever I use it in the MIDI mode. The keyboard layout on this device is also intriguing. There are an additional 8 knobs and trigger pads as well as an axis touch controller. Given the focus on simplicity, all the buttons are clearly labeled Mute, Solo, Record, Select. This really improves the user experience, at least for beginners. Additionally, the rear panel features a switch that toggles between the USB or Bluetooth mode.
While testing, I found the connections easy to make and quite seamless. However, I encountered some connectivity problems when using the Bluetooth function on a low battery. The NanoKontrol Studio is compatible with a number of apps. When I connected the control surface to my MacBook, I discovered that there are plenty of modes available. The device functions just as a normal MIDI keyboard does when connected to the computer. Mapping had to be done manually as there is no Live remote script or Logic plug-in.
However, the keys afford a lot of functionality. They offer the user a built-in Arpeggiator among other functions. The touchpad has 3 different functions that are accessed by using the buttons just south of it. You can use it as pitch bend and mod wheels, you can use it as a controller, and it can be used to play notes. A major concern is build quality. The entire unit is housed in a lightweight plastic body.
A couple of bad drops and this plastic can crack easily.
5 Best Control Surfaces For Logic Pro X [Updated JULY ].DAW Control | Solid State Logic
Only one set of assignment parameters is visible at a time in Easy view. You use the Learn process to assign controllers to channel strip and plug-in parameters by moving a controller on your control surface. Alternatively, you can use the Learn new Controller Assignment key command to open the Controller Assignments window and automatically activate Learn mode.
In most cases, the name of the selected parameter is shown in the Parameter field. Move the hardware controller you want to assign to the selected parameter, then click the Learn Mode button to complete the Learn process. This memorizes the controller assignment. If you do not click the Learn Mode button, Learn mode remains active, allowing you to make further assignments.
To make another assignment, select another parameter, then move the controller on the control surface. Hold down the modifier key you want to use Command, for example as you select the parameter you want to assign, while moving the control. If Download windows defender for windows 10 64 bit free Pro receives a MIDI message from the device while you are holding down the modifier key, the Learn Mode button is deactivated when you release the key, and the Learn process is complete.
In this situation, be sure to click the Learn Mode button when you are finished to end the Learn process. Logic Pro includes a shortcut that makes it easy to assign a series of controllers to a series of similar parameters. For example, you can use this shortcut to assign a series of faders to volume; to assign a series of knobs or switches to other channel strip parameters such as pan, solo, or mute; or to assign a series of controllers to a set of plug-in parameters.
Alternatively, you can use the Learn new Controller Assignment key command to open the Controller Assignments window, and activate Learn mode. Assign logic pro x delete control surface free download first controller in the series to the first parameter. For example, assign fader 1 to control volume for channel strip 1. Assign the last controller in the series to the last parameter. For example, assign fader 16 приведенная ссылка control volume for channel strip The number of controllers between the first and last in the series must match the number of parameters between the first and last parameter.
In the example, the distance between 1 and 16 would equal To automatically fill the controllers between the first and last with the corresponding assignments, click OK. Note: You can only use shortcuts for knobs that send a single channel message, where the first data byte is the controller number and the second data byte is the value.
Alternatively, the controller number can be encoded in the MIDI channel, with a fixed first data byte. Consult the documentation that came with your device for information on its data structure. Assign a controller in Easy view In the Logic Pro Mixer, or in any plug-in window, select a parameter. Click the Learn Mode button to complete logic pro x delete control surface free download Learn process.
Assign a series of controllers to a series of parameters Logic Pro includes a shortcut that makes logic pro x delete control surface free download easy to assign a series of controllers to a series of similar parameters. In the Logic Logic pro x delete control surface free download Mixer, or in any plug-in window, select a parameter.
Delete a controller assignment in Easy view In Logic Pro, select the assignment you want to remove in the Controller Assignments Easy View window, then click the Delete button.
Logic pro x delete control surface free download –
User s Guide. The simultaneous use of modal and modeless assignments allows you to do things such as:. You can use the MackieControl immediatelywith the default settingsor you can customize its settings, as described in Controller assignments overviewon page Related Products. For example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view.