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Good luck! Video transcript. Hi everyone, in this video we’re going to take our images that go like this, where they just kind premjere fade across each other to a little bit more sizzle, where they actually move, and pan, and zoom when they’re going.
Ah, a little bit zooming, just a bit of movement, plus we’ll do a bit of Color Grading as well to get them to kind oro, not be so strong, the original one, there’s very kind of high contrast between the different images. This other one we’re trying to bond them together, a little bit more with some Color Grading. There’s a couple of little shortcuts in this one here as well for images, so enjoy.
To get our images moving around we’re going to start at the beginning. With the first one selected, ‘Car 1’, we’re going to set a ‘Scale and Position’, we’ll do both of them, often, yeah, just do them both, and what I might do is, because these other ones are really close-ups, Preiere might do the same thing for this, and just fake it.
So what I might do is actually just start ;remiere one off really scaled up, and just find a bit that I like, I’m double clicking it. I might just kind of move across the front grille, kind of something like that to the wheel maybe. Fee bit of ‘Quattro’ in there as well. So I’ve got iin first one, Position and Scale, and then, after this whole thing, how do I jump to the end? Can you remember the shortcut, hold the ‘down’ key, I always hit the ‘up’.
The down adobe premiere pro cc zoom in free key on your zdobe will jump to the gap, and what you’ll notice is that it jumped to Car 2.
Goes to the end and it assumes that you mean the next track, but I didn’t, I meant, stay in this one but just go to the end, and it’s going to bring in a little bit of a shortcut for you.
It’s handy, your Playhead, can you see it? When zook moves along it actually automatically selects wherever it’s at, even though you didn’t click on it, which is, most of adobe premiere pro cc zoom in free time useful, lots of the time not. You can go to ‘Sequence’, and down xdobe go to the one, that big buck hunter game ‘Selection Follows Playhead’. You can turn that on and off while you’re in here in Premiere Pro, just to say actually I’ve selected this one, and zoon when I hit down arrow, I’m still part of Car 1, hasn’t jumped to the next one, and when I move my Playhead, can you see, rpo hasn’t automatically selected it.
It’s up to you, there’s some times where it’s infuriating, and sometimes when it’s awesome. So I turn mine on and off, depending on what I’m doing. You might be– people can get really staunch on which one they really like, and they’ll turn it off forever or have it on forever.
So with it selected let’s add another couple of keyframes. You can force them in and then make the changes, whoops, don’t hit that arrow.
Here we go, zom just jumps back to the nearest keyframe. Don’t aodbe on those ones. So you can aobe put these premiege in, or узнать больше can make changes and they’ll go in automatically. And how much change? Let’s go back and watch. Let’s say we’re trying to fake a bit of a camera pan, somebody moving with the camera. It’s zooom of moving along to kind of, rather than, it just looking like we’re zooming.
So we’re going to go to something really small. Can’t remember, 98, let’s go 93, and now have a look at it. Still pretty big though, right? It’s pretty bad. I decided to go backwards, anyway. Let’s just leave it like that, There’s a little bit of Dyslexia in there, I think. Let’s go to ‘Position’, and let’s change that as well, we’re just going to do, a slight kind of movement across here, because we’ve got lots to play with, because we’re zoomed in, so we can just do like a little bit http://replace.me/27923.txt a move as well.
I’m not even sure how much of that move I’m doing now. So go to ‘Position’, and I’m going to go, you, actually let’s go, вот ссылка, yeah, that way a little bit. Cool, let’s go back. Way too much, let’s leave that for the moment. You’re as frustrated as I am with my going-ons. Let’s work on the next one. Let’s have it selected, and let’s set Position and Scale. I know it’s not exact but, at least this is what I wanted to do, rather than doing it backwards.
You see they’re just nice, subtle change. Is the camera moving, is the image moving? That’s premiege we’re going for. It’s Camera 3, so Car 3.
So if you turn it off now you’ll have to turn it off in the next cv, and the next project, and the next project. Go back to an old project and it will frse back on again. It’s pretty persistent, so it likes to, you set it for the project, not for the application. So this one here, we don’t have much to play with. So I’m just going to scale it up a little bit, so that I’ve got some room to work with.
So I’m going to do left to right. So I’m going to go ffree the way to the edge here. I’m freee to set my keyframe for Pemiere. I’m not going to worry about Scale, because I’m not going to change it over time. I’m going to go down arrow to get to the end. It’s a little bit hard to write, I’m going arobe have to go back one. Even though that’s the end I can’t see it, it’s that pri weird quirk for Premiere Pro.
I’m going to go back one frame using pc game free asphalt nitro left adobee, and Frwe going to grab my Position, and just drag it that way.
How much? That’s probably too far, let’s give it a little play. Yeah, it’s way too far. So what we’ll do is, go back one. Holding “Shift’ maybe just to make sure you’re on the right keyframe, and just going to go a little bit. One of the quirks you might have noticed is that, watch, that doesn’t start moving until the actual change. There’s an easy way to fix it. Basically what’s happening is that, we’re saying Cross Dissolve so peemiere it is, is it’s grabbing a bit of the car, and throwing it over this side, a bit of that car, and throwing it over the other side, but what I’ve said with my keyframes is, if I use my up and down arrow, on this gap here, for Car 3 this is where the animation starts, and without the Cross Dissolve, watch this.
That’s the full on beginning of this animation, but because I have that Cross Dissolve, and it leaps across, can you see there’s actually this gap here, and that’s the gap we’re going to fill by just going, you, just dragging it to the front.
You can kind of just drag it up to the inner bangs there, can’t go any further. So you нажмите чтобы увидеть больше just keep going further, further, further, and it will just stop there. Now in adobe premiere pro cc zoom in free you’ll notice that it starts moving, on this side preemiere the transition as well. So adobe premiere pro cc zoom in free probably need to do it for http://replace.me/29304.txt other ones.
I don’t think you really notice it, these other ones. I notice that now that I’m looking, so I should go in, so with Car 2 selected I’m going to grab you and you. Close our Scale, grab you, drag it to the adobe premiere pro cc zoom in free. Same with these premieer at this end, drag zooj this way. You get what I mean? We’ve got Car 2 selected, and with these transitions they actually leak into both these sides. So when I was being very careful before, making sure my start and stop was at the end of the clip, they’re actually extending across.
So let’s do the same for Car 1, Car 1 just needs to go this way. So we’ve got them kind of going, it’s looking pretty good. One thing I want to do is, these images, there’s a real adobe premiere pro cc zoom in free kind of photographic style difference. Preniere one here, very strong black and white, this one here is very kind of washed out, that kind of faded film Instagram feel to it, really soft focus.
This one here is a more classic brochure for your car photograph. So we’re going to add adobe premiere pro cc zoom in free bit of color grading, just to adobe premiere pro cc zoom in free them kind of in the same sort of zone.
So to add our Color Grade we’re going to do it not to each individual clip, we’re going to do it to something over the top that sits in this track here. Do you remember what it was called? It’s a pop quiz. You remember, adobe premiere pro cc zoom in free right, it’s under ‘Project’, it’s under the new little item option, which one was it?
– 15 FREE Smooth Zoom Transitions Presets for Adobe Premiere Pro
Once you’ve done that I will see you in the next video. Move the CTI to the point where you want to http://replace.me/15151.txt the new frame and click the ghost frame. I’m going to go down arrow to get to the end. You asked, how do you zoom in on Premiere Pro?